Monday, October 21, 2019

Random   1979 – 2019



Random 1979 – 30x40 – Mixed media

I wanted to note the anniversary of a work I did 40 years ago this month. I had gone back to school at Metro State College (now a University) here in Denver. I was in Robert Mangold's sculpture class and had been musing on the theme of Connect-the-Dots for a while and was trying to push the concept as far was I could. I was a huge fan of Christo and Jeanne-Claude's who had erected the big orange Valley Curtain near Rifle, CO 7 years earlier. Like him I wanted to involve as many people as I could in the art making process and also work in a scale beyond the boundaries of a museum or gallery. I decided on the theme of a 'random' drawing (I had done several other more figurative pieces). I fashioned 100 - 6" circles out of Masonite, an I/8" thick untempered MDF board. Painted them black and stenciled white numbers on each one. Over 3 days, October 15, 16 & 17, in front of the Auraria campus library, I handed the 'dots' out to anyone who wanted to participate. (The red dot in the middle indicates the origin of the drawing at the library near downtown Denver). To document, I recorded everyone's name address and phone number, plotting each dot at their address on a USGS map of Denver and the Front Range. My intent was to reconnect with the participants once a year to see how the drawing changed as people moved over time. One individual told me he kept his in his car so he was changing the drawing all the time! Alas, this was in the days long before the internet, and tracking down each of the 100 students proved to be a futile endeavor. So the piece stands alone, and I can only imagine how it has evolved over the years. Christo's Curtain took 28 months to create and only lasted 28 hours before it was torn apart by the wind. My piece is also in the wind, but I like to think its still going. I did meet Christo and Jeanne-Claude the following year when they did an artist in residence at Colorado State University. Also in 1980 this piece was included in an exhibit of artists using maps, entitled cARTography at the John Michael Kohler Art Center in Sheboygan, Wisconsin. Christo and William T Wiley were also in the show. Random has never seen the digital 'light of day', so I present it to you here, 40 years on...

Thursday, October 10, 2019

Keiko's Reign


Keiko's Reign – 12x12 – Acrylic on canvas sheet

This piece could also be titled Keiko's Rain with the gauzy, streaked look of the grey veil. But there is something musical about this work as well, with the multi colored calligraphic 'notes' dancing across horizontal ledger lines. Perhaps its because of all the baroque concerti I've been listening to lately...

Tuesday, September 24, 2019

SOLD    Nearing Nirvana



Nearing Nirvana – 15x45 – Acrylic on canvas

This piece set a high watermark for price paid for one of my paintings. For this, I am very grateful. The reclining Buddha is an image I've always loved. It depicts that moment at the end of his earthly life when he was no longer able to sit upright and meditate, he layed down before going into Mahaparinirvana, the ultimate state of Nirvana, an everlasting state of peace and happiness, free of karma and rebirth. 

Saturday, September 14, 2019

"You don't have to be in the right state of mind to paint or create. It's what puts you in the right state of mind. 
It fixes you. It's like the magic elixir." –– Alyson Khan

Friday, September 13, 2019

Arizona Falls


Arizona Falls – 12x12 – Acrylic on canvas sheet

This one started out as another piece in the Veil series, but morphed into a color field piece. A recollection of the shimmering mirage of Arizonan hues: rusty reds, gold and greens hanging on for dear life in this wondrous desert scape. A companion to Spring Cleaning, Stand in the Fire with Me and Wabi Sabi. Please see the abstract page on my website, click here.

Thursday, September 12, 2019

"The future has arrived. 
It's just not widely distributed yet." –– Unknown

Sunday, September 1, 2019

The Foggy, Foggy Dew


The Foggy, Foggy Dew – 12x12 – Acrylic on canvas sheet

Sometimes paintings don't go the way you originally planned. This one was a case in point. One of the best underpainting I've ever done and it gets almost totally obscured by the veil. Sometimes we see thru the glass darkly. As Neil Gaiman describes the creative process, its like driving thru the fog with one headlight out!